condemnation of a certain type of adventurer who could easily take advantage of imperialisms opportunities, or else as a sentimental novel reinforcing domestic values: Kurtzs Intended, who appears at the novellas conclusion. Adventure on acid The European gone native on the fringes of empire was a stock trope, which Conrad himself had already explored elsewhere in his writing, but Heart of Darkness takes this cliché of imperial adventure fiction and sends it on an acid trip. Politically, Conrad tended to be on the right, and this image of Kurtz as an extremist demagogue expresses a habitual pessimism about mass democracy in 1899, still a relatively recent phenomenon. He took command of a steamship in the Belgian Congo in 1890, and his experiences in the Congo came to provide the outline for. The manic, emaciated Kurtz that Marlow finds at the Inner Station is straight out of the pages of late-Victorian neo-Gothic, more Bram Stoker or Sheridan Le Fanu than Henry Rider Haggard. Going up that river, Marlow says, was like travelling back to the earliest beginnings of the world, and he accordingly sees the dancing figures as remnants of prehistoric man. This is the Conrad who comes alive in Jasanoffs masterful study. He signed on to an English ship in 1878, and eight years later he became a British subject. Rather, its a private yacht, the.
During the second half of the 19th century, spurious theories of racial superiority were used to legitimate empire-building, justifying European rule over native populations in places where they had no other obvious right. In the process, she becomes a detective piecing together the incidents big and small that formed classics like Lord Jim, Heart of Darkness, Under Western Eyes and Nostromo. Horror is also the feeling that Kurtz and his monstrous jungle compound, with its decorative display of human heads, are supposed to evoke in the reader. In particular, Conrad shows little interest in the experience of Marlows cannibal shipmates, who come across as exotic caricatures. An émigré at 16, Conrad experienced to a high degree the kind of dislocation that has become an increasingly typical modern condition.
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